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Noa Dar (Photo by Eldad Refaeli)
Noa Dar in Arnica
Tetris
In A Black Black Land
(Photos by Tamar Lam)
Tetris, a daring challenge to the performer-spectator divide, seems worlds away from Arnica, a series of spare, intimate solos danced by
three women. Yet both works sprung from the mind of Israeli choreographer Noa Dar. In the past two decades, Noa has built a
wide-ranging repertory that has attracted audiences and critics alike. We recently sat down at her studio in Tel Aviv to discuss her rich
career path, the development of her movement language and creative process, and the relationship of her work to Israeli society and
culture.
Noa Dar’s website:
http://www.noadar.com/
Video excerpt of Tetris:
http://www.noadar.com/len/acentral%20image%20galleries/c3521.php
Video excerpt of Achilles’ Tendon:
http://www.noadar.com/len/acentral%20image%20galleries/c3526.php
Video excerpt of In a Black, Black Land:
http://www.noadar.com/len/acentral%20image%20galleries/c3524.php
Video excerpt of Clouds and Soup:
http://www.noadar.com/len/acentral%20image%20galleries/c3522.php
Video excerpt of The Sweetest Embrace:
http://www.noadar.com/len/acentral%20image%20galleries/c3523.php
Video excerpt of Strange:
http://www.noadar.com/len/acentral%20image%20galleries/c3525.php
Deborah’s research is supported by a Fulbright student grant, funded
by the US-Israel Educational Foundation and hosted by the Jerusalem
Academy of Music and Dance.
